Men's Spring/Summer 2026 Fashion Week: The Looks Everyone’s Talking About

It's July, and a new season is here. The Men’s Spring/Summer 2026 Fashion Week offered an exciting peek into what the future holds for menswear – and it didn’t disappoint. From bold choices in silhouettes to soft, fluid tailoring, designers brought fresh energy and unexpected twists. Whether it was Prada’s no concept showcase or Louis Vuitton’s India-inspired runway, one thing was clear: the idea of modern masculinity is changing. Here's a quick look at two standout shows that defined the season. The Style List dives into the highlights of the season that you might have missed.

Dolce and Gabbana Pyjama Boys

At the Men’s Spring/Summer 2026 Fashion Week, Dolce & Gabbana surprised everyone with Pyjama Boys – a collection that made pyjamas fashionable for the daytime. Inspired by their own designs from the 1990s, the collection was about mixing comfort with style. The pyjamas were made from light cotton with soft stripes, perfect for warm weather, and looked both relaxed and polished.

Crafted in breezy cotton jacquard with soft stripes, the pieces moved fluidly, perfect for long summer days. The colour palette was subtle yet stylish, mixing beige, cream and light blue with playful hints of polka dots and leopard print. Shapes were loose and flowing – think oversized shirts, wide-leg trousers and soft tailoring. Evening looks shimmered slightly more, with crystal embroidery and hand-applied stones adding a touch of glamour. The collection reimagined masculinity through comfort, ease and quiet confidence.

Saint Laurent

Anthony Vaccarello’s Saint Laurent show stood out, not just for the clothes but for its dreamy setting at the Bourse de Commerce in Paris – a space filled with floating porcelain bowls as part of an art installation. This season, he imagined a journey from Paris to Fire Island, the beach town in New York known for its creative and free-spirited atmosphere.

The clothes were soft, colourful and playful. There were short shorts, silk pyjama sets and layers of shiny fabrics like nylon and silk. These were mixed with jackets, blazers and ties that reminded people of 1980s office wear, but everything looked more relaxed and summery. Vaccarello drew inspiration from queer artists like Larry Stanton and Patrick Angus, reflecting a time when fashion was both a form of expression and a kind of armour. The clothes played with the idea of showing and hiding, with sheer fabrics and clever cuts that balanced confidence and comfort.

Hermès’ Summer In the City

For Spring/Summer 2026, Hermès designer Véronique Nichanian kept things simple. After nearly four decades at the helm of the house’s menswear, she chose “summer in the city” as her moodboard – a fitting choice for a hot afternoon in Paris, where the show took place at the Palais d’Iéna during a full-blown heatwave.

The collection brought together ease, function and elegance. Think light knits with loose weaves, open sandals with rope-loop soles and relaxed shirts with soft tailoring – a cool alternative to structured suits. One of the most interesting elements was the use of open-weave leather, a clever way to bring breathability to Hermès’ iconic material, proving that luxury can be practical in the peak of summer. Nichanian’s calm, considered approach offered clothes made for real lives – effortlessly chic and perfectly Parisian.

Wales Bonner's Grand Return

Wales Bonner made a return to the Paris runway this season to mark ten years of her label. Her Jewel collection took inspiration from classic British style – Oxford shirts, morning suits, gloves held in hand – and reimagined them through her unique lens. Inspired by the idea of “Superfine” style (also a nod to this year’s Met Gala theme on Black Dandyism), she brought her signature thoughtfulness to the runway.

There were knitwear pieces made with John Smedley and fine tailoring from Savile Row’s Anderson & Sheppard. Every outfit felt carefully considered, with small touches adding richness – pearl brooches, polished dress shoes with crystal buckles, and a skirt embroidered in Art Deco-style patterns. The collection had a collector’s charm, combining heritage with gentle elegance.

Dunhill's Eclectic Moodboard

Set in a peaceful garden in Milan, Dunhill’s show felt like a mix of old-school charm and modern ease. Designer Simon Holloway was inspired by British royals and music icons like Bryan Ferry. The result was a collection that was sharp but not too serious. There were soft pastel shades, neat jackets and crisp suits made from fine fabrics. But there was also a playful side – ties worn a bit loose, baseball caps with blazers, and smart coats paired with relaxed touches. The highlight? A silk smoking jacket worn with two elegant dogs walking beside the model. Holloway called it “formal undone” – and that’s exactly what it was: polished, but never stiff.

Julian Klausner’s men’s debut at Dries Van Noten

Julian Klausner, now creative director at Dries Van Noten, presented his first men’s collection titled, Just a Perfect Day. The collection took inspiration from the feeling of summer mornings, long parties, and quiet walks at dawn. The show had a soft, relaxed energy with a clear nod to the brand’s past, especially a photo of Nirvana wearing Dries in the 90s.

There was a strong focus on colour like bold reds and pinks, large stripes, and sparkling details using sequins and beads. The clothes felt light and romantic. Shorts were either short and fitted or loose and made of soft silk. The common aesthetic? Nipped waist, seen in tabard tops, tailored t-shirts and colourful cummerbunds. The mood was dreamy and spontaneous, with sleeveless knits, sarongs, flowing shirts and plunging polos all adding to the laid-back feel. Klausner managed to keep the spirit of the house alive while giving it a modern, summery twist.

The New Prada Language

For Spring/Summer 2026, Miuccia Prada and Raf Simons introduced a brighter, more playful side of Prada. The show, called A Change of Tone, moved away from the usual sharpness of the brand and opened with flower-shaped rugs, setting the stage for a softer mood. The colours were fresh and bold – apple green, canary yellow, bright red and vivid pink. While the usual trench coats and military-style jackets were still there, the standout pieces were the mini bloomer shorts. Slightly puffed and stylish, they looked both fun and comfortable. There were also joggers, soft tailoring, and turtlenecks that gave the whole collection a relaxed yet confident look.

Accessories also made a statement. Alongside updated boat shoes and black cut-out loafers, Prada reintroduced men’s flip-flops and soft leather slippers.

One pair stood out in particular – a reimagined version of India’s traditional Kolhapuri chappals. Sleek and modern, they brought a familiar style to the global stage in a new way. In India, we’ve known and worn them for generations as Kolhapuri chappals — artisanal, time-honoured, and deeply rooted in tradition. At Prada’s Spring 2026 runway, this familiar style resurfaced - sleek and rebranded in quiet luxury.

Louis Vuitton's India-inspired show

At Paris Fashion Week, Pharrell Williams turned the spotlight toward India as a cultural powerhouse. With a nod to the country’s rich craft traditions, the Louis Vuitton Men’s Spring/Summer 2026 showcase unfolded like a vibrant tribute to Indian heritage.

Pharrell Williams, Louis Vuitton’s Creative Director, unveiled a collection that paid homage to Indian craftsmanship and culture, with a distinctive LV spin. Ahead of the show, Pharrell and his team immersed themselves in Delhi, Mumbai, and Jodhpur, drawing deeply from local street style and artisanal traditions. “What art and painting are to Paris, textiles and embroidery are to India,” he noted. “The intricacies were just off the charts.”

Indian architect Bijoy Jain shaped the set design, drawing inspiration from Snakes & Ladders—originally known as Moksha Patam. The life-size board was developed at his studio in Mumbai, bringing a layer of philosophical depth and Indian heritage to the Parisian streets. While Music legend A.R. Rahman composed an original Punjabi track, Yaara Punjabi, exclusively for the runway. Even the signature Louis Vuitton trunks and bags were reimagined with Indian influences—featuring embroidery, fil coupé tailoring, and leather stamped with “Louis Vuitton Malletier.”

Jonathan Anderson's Dior debut

Jonathan Anderson’s first menswear collection for Dior made a strong impression at the Men’s Spring/Summer 2026 Fashion Week, blending heritage with a fresh point of view. Instead of chasing trends, Anderson focused on the simple joy of dressing, bringing together old-world charm with a modern attitude. He reimagined formal menswear by using classic fabrics like Donegal tweed and pairing them with regimental ties, Bar jackets, tailcoats and structured waistcoats inspired by the 18th and 19th centuries. The look was refined but not stiff — full of texture, shape and detail.

Anderson added soft touches too, like tiny embroideries and rose motifs, along with charms that had a romantic, almost rococo feel — a nod to Christian Dior’s love of that era. He explored Dior’s famous archive and reworked some of its most iconic pieces. The Delft, Caprice, and La Cigale dresses were points of inspiration, especially La Cigale, which Anderson called his all-time favourite. In a standout moment, he gave cargo shorts the dramatic volume of La Cigale, turning a casual piece into something couture. Another highlight was a ruffled piece inspired by an archival Dior gown, showing just how far Anderson was willing to push the line between past and present.